Title: Burles King Daw O…
Genre: Comedy
Runtime: 1h 52m
Released: 16 January 2002
Country of Origin: Philippines
Language: Filipino
Director: Ipe Pelino
Writer: Joven Tan (story & screenplay) (credited as Joven M. Tan) • Ipe Pelino (story & screenplay)
Production Company: FLT Films International
Synopsis: The Halimuyak Theatre, a renowned institution that has captivated audiences with its exceptional entertainment for decades, is in the midst of a truly dire situation that has sent shockwaves through the artistic community. Despite the palpable sense of camaraderie that permeates the air, connecting a diverse group of talented artists and a dedicated support team, the theatre now teeters on the brink of closure, its future hanging in the balance like a delicate thread swinging in the wind .
Located in the heart of the bustling city, the Halimuyak Theatre has long been a beacon of creativity and cultural significance. Its majestic façade, adorned with intricate architectural details, has welcomed countless theatregoers eager to immerse themselves in the magic that unfolds within its hallowed walls. The heaters reputation for impressive performances, whether in gripping dramas that touch the heart or dazzling musicals that transport audiences to faraway lands, has made it a beloved institution in the hearts of many.
But behind the scenes, a storm is brewing that threatens to destroy the dreams and aspirations of those who make Halimuyak Theatre their artistic home. The burden of crushing debt has cast a shadow over the theatre's once bright future, suffocating its existence and leaving its passionate residents in a state of despair. Growing financial pressure has become an insurmountable obstacle and threatens to extinguish the flickering flame of creativity that has burned so brightly within theatre walls for years.
Artists whose talents graced the stage with mesmerising performances are now struggling with a sense of insecurity and fear. Dedicated support staff who worked tirelessly behind the scenes to ensure every production ran smoothly are now faced with the harsh reality that their efforts may have been in vain. The once lively atmosphere, reverberating with laughter, applause and expectant murmurs, is now tinged with a palpable sense of desperation.
As news of the theatre's dire situation spreads like wildfire, the artistic community is mobilising, determined to save the Halimuyak Theatre from its impending demise. Fundraisers, benefit concerts and passionate calls for support flood the city as people from all walks of life come together to help. The heaters plight sparked a spark of solidarity and reminded everyone of the profound impact art and culture have on society.
In the face of adversity, Halimuyak Theatre presents itself as a symbol of resilience and unwavering passion. His fate hangs in the balance, teetering between the abyss of closure and the possibility of a triumphant resurgence. The road ahead may be rocky, but the artists and caregivers, bound together by their shared love of theatre, refuse to let their dreams crumble into dust. With all their determination and creativity, they try to overcome the seemingly insurmountable obstacles that threaten to silence the scene forever. Halimuyak Theatre's future may be uncertain, but its spirit remains unyielding, a testament to the power of art to overcome adversity and inspire hope in the darkest of times.
In a desperate attempt to save the theatre from its impending demise, the artists, driven by an unwavering determination to keep the spirit of Halimuyak Theatre alive, hatched an ingenious plan to create a grand farewell "curtain" finale for her beloved scene. They hope that this show will not only capture the hearts of audiences, but also serve as a poignant reminder of the immense talent and artistry that has graced the theatre's hallowed halls over the years.
But when the fateful night of the show came, an unforeseen twist of fate threatened to shatter their hopes and dreams. The performers, overwhelmed by a powerful mix of nerves and emotions, sought solace in the form of liquid courage and indulged in libations that flowed freely backstage. Unfortunately, their well-intentioned attempt to calm their frayed nerves inadvertently led to an unexpected consequence: they were so drunk that performing their carefully choreographed final dance seemed an insurmountable task.
But when all seemed lost and the weight of disappointment threatened to break their spirits, two unlikely heroes emerged from the shadows, ready to seize the opportunity and rewrite the history of that tumultuous evening. Troy, played by the enigmatic Andrew E, and Abraham, brought to life by the incomparable Long Mejia, marched forward with unwavering determination, their hearts beating in unison with the rhythm of the music that echoed through the theatre's hallowed halls.
With a courageous expression and a spark of determination in their eyes, Troy and Abraham took centre stage, their every move a testament to their unwavering dedication and love for the theatre. As they moved gracefully through the intricate steps of the dance, their bodies seemingly guided by an otherworldly force, the audience watched in awe, holding their breath in anticipation of what was to come.
At this time, Halimuyak Theatre was reborn. The audience was mesmerised by the brilliance that unfolded before their eyes and was transported to a realm where dreams came true and the impossible became possible. The theatre that once teetered on the brink of closure now stands defiant, its spirit revived by the unwavering passion and resilience of its performers.
And as the final notes of the music echoed through the theatre, thunderous applause erupted, filling the air with a thunderous roar of appreciation and admiration. The Halimuyak Theatre had triumphed against all odds and its legacy was forever enshrined in the hearts of those who were fortunate enough to witness this extraordinary display of talent and determination.
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TOP BILLED CAST & CREW: |
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ACTOR |
ROLE |
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Andrew E. |
Troy |
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Janet McBride |
Nancy |
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Long Mejia |
Abraham |
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Geneva Cruz |
Jessica |
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Giselle Sanchez |
Ms. Tikol |
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Roy Alvarez |
Don Henrico |
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Alvin Anson |
Mario |
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Dagul |
Father of Troy (as Romy 'Dagul' Pastrana) |
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Mico Palanca |
Raffy (as Miko Palanca) |
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Caloy Alde |
Sir Robert |
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Kristina Kasten |
Suzy Q. |
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Marinella Moran |
Anan Bandana |
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Cloyd Robinson |
Atong |
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Metring David |
Lola Trining |
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Karen delos Santos |
Bebang (as Karen De Los Santos) |
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J.V. Baclig |
Boknoy |
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Camille Lumanog |
Sexy Dancer |
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Pam Lacson |
Sexy Dancer |
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Myka Soriano |
Sexy Dancer |
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Paloma Rosal |
Sexy Dancer |
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Mikey Dizon |
Sexy Dancer |
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Melanie Angeles |
Charming Charlotte |
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Rachel Joy De Guzman |
Betsy |
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Alex Cunanan |
Gang at Sari-Sari Store |
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Rey Bejar |
Gang at Sari-Sari Store |
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Boy Roque |
Bully Gang at Restauranta |
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Rigo Ramirez |
Bully Gang at Restauranta |
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Darwin Herradura |
Bully Gang at Restauranta |
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Ernie Forte |
Mario's Bodyguard |
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Joel Punzalan |
Mario's Bodyguard |
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Boy Gomez |
Boy at the Theater |
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Minnie Capco |
Girl at the Store |
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Nonong Talbo |
Old Friend of Don Henrico |
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Ric Sanchez |
Old Friend of Don Henrico |
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Ernando Sta. Maria |
Old Friend of Don Henrico |
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Aileen Amador |
Double Dancer |
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Aurel Ayson |
Bodyguard of Troy in Dream Sequence |
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Lito Labao |
Bodyguard of Troy in Dream Sequence |
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Romy Ramirez |
Bodyguard of Troy in Dream Sequence |
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Produced by |
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Eduardo B. Flaminiano |
executive producer (as Atty. Eduardo Flaminiano) |
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Lizzette L. Flaminiano |
supervising producer (as Lizzette S. Flaminiano) |
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Rose Flaminiano |
producer (as Rose L. Flaminiano) |
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Music by |
Jaime Fabregas |
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Cinematography by |
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Danny Bustos |
(as Danny P. Bustos) |
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Editing by |
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Orlando Vinarao |
(as Orlando 'Totoy' Vinarao) |
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Production Design by |
Winky Gonzales |
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Makeup Department |
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Baby Lucero |
makeup artist (as Leslie 'Baby' Lucero) |
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Production Management |
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Raffy Baladjay |
post-production supervisor (as Rafael M. Baladjay Jr.) |
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Noel Cruz Bruan |
post-production supervisor (as Noel Bruan) |
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Armando Jarlego |
post-production supervisor |
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Zenny C. Tupaz |
post-production manager |
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Second Unit Director or Assistant Director |
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Chinggay P. Carreon |
assistant director |
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Art Department |
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Edwin Agunat |
set man |
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Rodel Almeda |
set man |
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Romeo Manzano |
artist |
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Ariel Mitra |
set man |
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Jesus Sedana |
set man |
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Sound Department |
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Amay Abenilla |
dubbing editor |
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Raffy Baladjay |
optical sound technician (as Rafael M. Baladjay Jr.) / sound supervisor (as Rafael M. Baladjay Jr.) |
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Dodong Benlot |
sound effects |
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Arnel Bininsig |
dubbing editor |
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Josie Galvez |
dubbing supervisor |
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Peping Jimenez |
sound operator: FLT Films |
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Andy Macabante |
optical sound technician |
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Joel Masilungan |
dubbing supervisor |
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Ariel Natnat |
dubbing editor |
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Eva Ramos |
dubbing supervisor |
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Jojo Servidad |
dubbing editor (as Jojo Cervidad) |
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Ning Trocio |
sound effects |
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Visual Effects by |
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Marie Adieline |
computer operator (as Marie Adieline E.) |
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Novie Dacalos |
animation camera |
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Rey Erestain |
animation and titles |
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Arturo Jarlego |
optical operator |
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Adlai Ray |
computer operator |
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George Toralba |
animation camera |
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Stunts |
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Totoy Cadiente |
double: Andrew E. |
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Biboy Millanos |
double: Long Mejia (as Biboy Millalos) |
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Rudy Ramirez |
fight director |
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Camera and Electrical Department |
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Jose Araneta |
camera lifter: FLT Films |
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Nerie Balagot |
generator operator: FLT Films |
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Pablo Bautista |
second camera |
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Arvin Bustos |
gaffer (as Arvin T. Bustos) |
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Greg Bustos |
second assistant camera (as Greg P. Bustos) |
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Bert Dimson |
still photographer |
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Rogelio Linda Jr. |
assistant camera: FLT Films (as Jun-Jun Linda) |
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Cezar Pequiro |
clapper loader: FLT Films |
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Arnold Pili |
video assist operator: FLT Films |
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Bong Villamil |
electrician: FLT Films |
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Costume and Wardrobe Department |
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George Paglinawan |
wardrobe consultant |
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Editorial Department |
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Mel Acurin |
post-production technician: LVN |
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Mario Baguatan |
assistant film editor (as Mario 'Ayo' Baguatan) |
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Ricky De Castro |
post-production technician: LVN |
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Hernani Diamante |
assistant film editor |
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Jose Romar Galang |
post-production technician: LVN (as Joma Galang) |
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Jason Galindez |
post-production technician: LVN (as Jayson Galindez) |
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Julie Galino |
post-production secretary |
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Leody Maralit |
post-production technician: LVN |
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Nestor Mutia |
post-production technician: LVN (as Nestor Arvin Mutia) |
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Jimboy Pelingon |
post-production technician: LVN |
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Aini Rili |
negative cutter |
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Froilan Rodriguez |
post-production technician: LVN |
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Imelda Ulaso |
post-production accountant (as Imeh Ulaso) |
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Transportation Department |
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Nerie Balagot |
unit driver: FLT Films |
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Danny Loanzon |
generator driver: FLT Films |
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Additional Crew |
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Ernie Almariego |
advertising and shipping-in-charge |
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Mel Astrologio |
office staff: FLT |
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Benjie |
utility |
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Artemio Bognot Jr. |
crew: FLT Films |
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Arlyn Bongalos |
coordinator: animafex |
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Reynaldo Borga |
shipper/revisor |
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Tessie Borres |
production secretary |
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Regine Del Rosario |
assistant booker |
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Nestor Dela Cruz |
utility: post-production |
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Allan Dela Torre |
schedule master |
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Edmund Diaz |
field operations staff |
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Nedylyn Estrella |
production secretary |
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Boy Fajardo |
catering: FLT |
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John Fontanilla |
choreographer |
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Nelson Gonzales |
security guard: post-production |
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Roger Iral |
schedule master |
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Christopher Linda |
crew: FLT Films |
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Ferdinand Linda |
crew: FLT Films |
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Victor Manalili |
catering: FLT |
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Danny Marquinez |
field operations staff |
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Lito Mungcal |
field operations staff |
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Joselito Ordoñez |
utility: post-production |
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Paul Palanca |
hmi caretaker: FLT Films |
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Paolo |
utility |
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Joel E. Ramos |
marketing communications (as Joel Ramos) |
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Joy Sanchez |
credit and collection officer |
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Roderick Santos |
distribution and booking manager (as Roderick L. Santos) / sales and marketing manager |
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Earl Surril |
data encoder |
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Jun Villar |
office staff: FLT |
Full Movie:
